Comedian Katt Williams has set the internet ablaze with explosive claims about Chris Tucker, the beloved star of “Friday.”

Williams alleges that Tucker’s name is directly linked to Jeffrey Epstein’s notorious “Lolita Express” and warns the public to “run” from the actor, whose reputation is now under fire.

For years, Chris Tucker was known as the comedic genius behind “Smokey” in “Friday,” as well as for his roles in “Rush Hour” and other blockbusters. But Williams insists Tucker isn’t “Smokey” anymore, pointing to a damning photograph showing Tucker aboard Epstein’s private plane alongside Bill Clinton and Kevin Spacey.

The image, which has circulated widely online, has fueled speculation and concern about Tucker’s associations and the true nature of his involvement in Epstein’s circle.

Williams’s warning goes beyond mere celebrity gossip. He references a chilling lawsuit filed by a survivor, who claims she was recruited during a “fake casting call” on the infamous 2002 trip to Africa—a trip attended by Epstein, Clinton, Spacey, and Tucker.

The survivor’s testimony alleges that the casting call was a front for predatory behavior, and her lawsuit details how she was lured into Epstein’s orbit under false pretenses. The implication is clear: Tucker’s presence on the trip is now under intense scrutiny, and Williams urges fans to reconsider their admiration.

The comedian’s exposé has sparked outrage and debate across social media. Some fans are shocked, struggling to reconcile Tucker’s wholesome public image with the allegations, while others defend him, insisting that guilt by association is unfair.

Williams, however, is adamant, stating that the evidence is too substantial to ignore. He claims that Tucker’s silence on the matter is telling and that the actor’s absence from interviews and public statements only fuels suspicion.

The controversy has also reignited discussions about Epstein’s global network and the celebrities who traveled with him. The “Lolita Express”—Epstein’s private jet—was infamous for ferrying powerful figures to his private island, where numerous crimes allegedly took place. Tucker’s name on the flight logs, combined with the lawsuit and the photograph, has led many to question what really happened during those trips.

Williams’s warning is not just about Tucker; it’s a broader indictment of Hollywood’s hidden connections and the dangers of unchecked fame. He cautions that the entertainment industry often shields its stars from accountability, and that fans should be vigilant when allegations surface. Williams’s message is clear: “Run” from anyone whose name is tied to Epstein, and demand transparency from those in the spotlight.

As the story unfolds, Tucker’s representatives have not issued a formal response. The actor remains silent, and the public continues to debate his involvement. For many, Williams’s exposé is a wake-up call—a reminder that celebrity status does not guarantee innocence. The lawsuit, the photograph, and the warnings from Williams have left the world questioning the legacy of the “Friday” legend.

In the end, the controversy surrounding Chris Tucker is a stark illustration of how quickly reputations can change, and how important it is for the public to seek truth and accountability, regardless of fame.